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aving been billed as Norah Jones's "guitar album," The Fall comes burdened with some expectations that the vocalist has shaken up her trademark formula of tasteful piano arrangements, light percussion, and effortless vocal turns. The album only intermittently works as a departure for Jones, then, because the lone signature element of her style that has changed is the lead instrument she uses. The piano licks are scarce, replaced by some electric guitar riffs that are clean and restrained. Producer Jacquire King simply doesn't bring any of the raw, nervy energy to The Fall that he has brought to albums by...
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