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Stephanie Zacharek, Salon's film critic, wrote that Juno's slangy dialogue was so hip it was instantly pass�. You could apply the same to the halcyon days of indie-dance and bloghouse, when scummy hipsters found a lacier kind of thrash, threw on some day-glo, and fondled themselves silly. One minute Justice's view of the dancefloor through heavy-metal glasses was killing crowds, the next it shifted into a kind of moronic worthlessness. One minute driving Boyz Noise to his hotel was highly bloggable, the next you were skipping his new track on Hype Machine. By minutes we mean months. But 2006 seems...

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