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The ability for the members of a band to parlay its success into artistically relevant solo careers is not a foregone conclusion. Often, artists will either hew too closely to the sound that made them popular, or they’ll indulgently play the dilettante in whatever genre happens to grab their fancy at the moment. Credit is due, then, to David Sylvian for refusing to spend the past three decades resting on Tin Drum’s laurels. Like 2003’s Blemish, Manafon eschews traditional pop conventions and prominently features Sylvian crooning over a minimalist instrumental accompaniment. This time around, however, Sylvian is accompanied by 60s...
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