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Frankie Goes to Hollywood’s 1986 follow-up to their Welcome to the Pleasuredome debut was always going to seem like a let-down, so comprehensively did that debut double-album, and its attendant three chart-topping singles (and number two-peaking title-track), dominate 1984-85. If anything, it represented a volte-face after the OTT magnificence of that first foray, as much as a climb-down as ABC’s Beauty Stab and Simple Minds’ Sparkle in the Rain, those other early-80s albums where the bands in question retreated from studio opulence towards a more ‘authentic’ approach that proved they could reproduce the music live; that...

Frankie Goes To Hollywood

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