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It was a show about enlargement. Whether in David Byrne’s now iconic ‘big suit’ â€" an outfit better suited to a power-dressing Joan Collins that set the bar for the 80s shoulder-pad obsession at ridiculous heights â€" or in the way the band builds from a solo Byrne on an empty stage with a boombox and an acoustic guitar for Psycho Killer to a stage full of horn sections, backing singers and ex-Funkadelic players making Take Me to the River a blitz of sound and colour. Or, indeed, in the way the visual and artistic pretensions of this...

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