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In hindsight, perhaps Gallows went too far in incorporating full orchestral passages in their second album, 2009’s Grey Britain. It’s one thing to have ambition, quite another to compromise the potency that made your name in the first place because you’ve the budget to employ a string section for an afternoon. So when Bleeding Through’s sixth studio LP opens with an instrumental, A Resurrection, the alarm bells begin to chime.
But the Orange County hardcore-goes-metal hybrids aren’t ones to taint their tonic without good reason, and the intro is merely a smokescreen for a blindsiding strike in the shape of...
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